Spec
POD® xt Pro Features
- 42 Legendary and Classic Amp Models
- 24 Cab & 4 Mic models
- 60 Stompbox and Studio Effects
- 128 Channel Memories
- Stereo XLR and 1/4-inch analog outs
- AES/EBU, S/PDIF, and USB Digital I/O
- Programmable Effects Loop
- Deep Editing
- Built-in Chromatic Tuner
- Routing Options
- Full MIDI Support
- 24-bit A/D and D/A Converters
- MIDI In, Out/Thru
- RJ-45 Foot Controller Connector
- USB Connector for Digital I/O
- Headphone Output
- Guitar Input
- TRS Line Input and Unprocessed Guitar Output
- Stereo Programmable Effects Loop (Series or Parallel)
- Line 6® Clean
- Line 6® JTS-45
- Line 6® Class A
- Line 6® Mood
- Line 6® Spinal Puppet
- Line 6® Chemical X
- Line 6® Insane
- Line 6® Piezacoustic 2
- Line 6® Agro
- Line 6® Lunatic
- Line 6® Treadplate
- Line 6® Variax® Acoustic
- Budda 2001 Twinmaster
- Fender® 1953 Deluxe Reverb®
- Fender® 1958 Bassman®
- Fender® 1961 Champ®
- Fender® 1964 Deluxe Reverb®
- Fender® 1965 Twin Reverb®
- Gretsch® 1960 6156
- Hiwatt® 1973 Custom 100
- Marshall® 1966 JTM-45
- Marshall® 1968 Super Lead
- Marshall® 1968 Jump Channel
- Marshall® 1968 Variac Plexi
- Marshall® 1987 JCM 800
- Marshall® 1996 JMP-1
- Matchless 1996 Chieftain
- Matchless 1993 DC-30
- Mesa/Boogie® 2001 Dual Rectifier®
- Mesa/Boogie® Mark IIc+
- Roland® Jazz Chorus 120
- Soldano 1993 SLO-100
- Supro 1960's S6616
- Vox® 1961 AC-15
- Vox® 1967 AC-30TB
- Tube Preamp
- Marshall® 1974X (18W Reissue)
- Marshall® JCM 2000 w/ Germ Pedal
- Orange AD30TC
- Vox® Fawn Non-Top Boost AC30
- Dumble® Clean (from POD® 2.0)
- Soldano SP88 (from POD® 2.0)
- 6x9 Supro S6616
- 1x8 1961 Fender® Tweed Champ®
- 1x10 Gibson®
- 1x10 Gretsch® 6156
- 1x12 Line 6®
- 1x12 1953 Fender® Tweed Deluxe Reverb®
- 1x12 1964 Fender® Blackface Deluxe Reverb®
- 1x12 1960 Vox® AC-15
- 1X15 1962 Supro Thunderbolt
- 2x2 Fender® Mini Twin Reverb®
- 2x12 Line 6®
- 2x12 1965 Fender® Blackface Twin Reverb®
- 2x12 1995 Matchless Chieftain
- 2x12 Roland® JC-120
- 2x12 1967 Vox® AC-30
- 2X12 1967 Silvertone® Twin Twelve
- 4x10 Line 6®
- 4x10 1959 Fender® Bassman®
- 4x12 Line 6®s
- 4x12 1967 Marshall® Basketweave with Greenbacks
- 4x12 1968 Marshall® Basketweave with Greenbacks
- 4x12 1978 Marshall® with stock 70s
- 4x12 1996 Marshall® with Vintage 30s
- 4x12 Mesa/Boogie®
- Shure® SM-57 On Axis
- Shure® SM-57 Off Axis
- Sennheiser® MD-421
- Neumann® U-67
- LA-2A® Compressor
- Noise Gate
- Fuzz Face
- Big Muff Pi®
- Tubescreamer®
- ProCo Rat
- Octavia
- CS-1 Comp/Sustainer
- Dynacomp
- Vetta™ Comp
- Auto Swell
- Mutron III
- Line 6® Sine Chorus
- CE-1 Chorus Ensemble
- Line 6® Flanger
- A/DA Flanger
- MXR® Phase 90
- Uni-Vibe
- Opto Tremolo model from the 1965 Fender® Deluxe Reverb®
- Vox® V847 Wah
- Custom Vox® V847Wah
- Bias Tremolo model from 1960 Vox® AC-15
- Colorsound Wah-Fuzz
- Maestro® Boomerang Wah
- Leslie® 145
- Jen Electronics Cry Baby Super Wah
- Vibratone
- RMC Real McCoy 1 Wah
- Auto-pan
- Arbiter® Cry Baby Wah
- Boss® DM-2
- Sub Octaves Synth Effect
- Deluxe Memory Man
- Digitech Whammy PitchEffect
- EP-1 Tube Echoplex
- Maestro® Bass Brassmaster
- Roland® RE-101 Space Echo
- Sans Amp TubeDriver
- Sweep Echo
- Volume (Pre- or Post-Amp Routing options)
- Line 6® Digital Delay
- Post-EQ
- Line 6® Stereo Delay
- Vetta Wah
- Large Plate Reverb
- Ping Pong Delay
- Vintage Plate Reverb
- Reverse Delay
- Slap Plate Reverb
- Fender® Deluxe Spring Reverb
- Cavernous Reverb
- Fender® Twin Spring Reverb
- Chamber Reverb
- King Spring Reverb
- Rich Chamber Reverb
- Small Room Reverb
- Large Hall Reverb
- Tiled Room Reverb
- Brite Room Reverb
- Dark Hall Reverb
- Medium Hall Reverb
